Fun fact: this was actually a two story window prior to Morgan Freeman sitting on the windowsill. Once the house realized who he was, it retracted itself into the ground to prevent injury to Morgan Freeman.
What’s been the most challenging arc for you to film on the show so far? I think what we’re filming right now is definitely difficult in this fifth season. Watching, in many ways, not only an evolution of a character, but a descent. We’re watching him tear himself apart, to hopefully rebuild himself in a better way, but in the process he’s - without giving anything away - he’s kind of losing it. It’s been tricky to find ways to play it without pushing it over the top, so it’s not exploitative of mental illness. That’s something I’ve been talking to the writers about being conscientious of. [x]